LIVE ON SET WITH MATIAS BOUCARD & MYRON MANCE – HUMANKIND SEGA

LIVE ON SET WITH MATIAS BOUCARD & MYRON MANCE – HUMANKIND SEGA
When I receive the first time script of ” Humankind” from @romain_chassing I knew that was really challenging work. I had to find the right balance between the light design and the camera movement, to be able to tell the story in one continuous movement. We had to mix a lot of different technic on set. I immediately call @myron_mance to join the crew, I knew it was the one to be able to run fast with precision. Was such a fun shot! And again I learn a lot this one!

I decide to use Sony Venice with the Rialto because I really want to stay light and use Myron and is MōVI to keep the organic feeling. Because all the shot was in movement and only shot in 50 Fps I had to shot at 45 degrees shutter to avoid the motion blur. I set the camera at 2500 asa and use the 28mm master anamorphic to be able to get a wide-angle without to much distortion. Each film is a prototype, so you have to build the best combo for it.

Director: @romain_chassaing
DOP: @boucardmatias
Movi Operator : @myron_mance
Executif Producer : @batchass
Line producer : @maxboubo
Set designer : @davidbersanetti
1 st AD : @mariegrevellec
Production service : @b2yproductions
Post-production : @mathematic.tv
Editor : @manu_coutant
Set supervisor : @jonathanlagache
Color Grading : @mathieucaplanne

#filmmakersworld #cinematography #humankind
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